1 00:00:05,120 --> 00:00:11,100 Speaker 1: Okay, this is part three of the miniseries, "The Gift of Everything." I don't know 2 00:00:11,140 --> 00:00:16,360 Speaker 1: how it's gonna get edited. We'll see if it does. I'm recording this one first 3 00:00:17,300 --> 00:00:22,500 Speaker 1: because I think, uh, the topic is underserved. This one is about everything I know 4 00:00:22,560 --> 00:00:27,980 Speaker 1: about the nature of telepathy and communication, specifically, but not limited to 5 00:00:28,560 --> 00:00:34,540 Speaker 1: non-physic- [clears throat] non-physical intelligences, people without a 6 00:00:34,580 --> 00:00:38,400 Speaker 1: body. That is gonna be a running theme, and that is how you should think of this. 7 00:00:39,180 --> 00:00:43,720 Speaker 1: There's a lot of weirdos out there, but, uh, for the most part, they're just people. 8 00:00:44,640 --> 00:00:48,780 Speaker 1: Not only, [chuckles] it's weirder than that. Wouldn't... You need to broaden your 9 00:00:48,820 --> 00:00:51,460 Speaker 1: definition of people, but it's still a pretty good guide. 10 00:00:53,320 --> 00:00:57,240 Speaker 1: Okay, uh, so this is gonna be a long one. Uh, it may cover some of the other 11 00:00:57,260 --> 00:01:01,880 Speaker 1: material, but whatever. All right, let's go through it. This is all based on my 12 00:01:01,940 --> 00:01:06,860 Speaker 1: first-hand experiences. Uh, sometimes I will relay that, but everything you're 13 00:01:06,900 --> 00:01:12,800 Speaker 1: hearing is my personal view. Some of it contains instruction given to me 14 00:01:13,140 --> 00:01:17,020 Speaker 1: through various communication methods, but for the most part, this was me just 15 00:01:17,080 --> 00:01:21,420 Speaker 1: struggling. I received basically no formal instruction. [chuckles] I'll point out a 16 00:01:21,480 --> 00:01:25,840 Speaker 1: few videos that are useful, but for the most part, uh, unless you're naturally 17 00:01:25,880 --> 00:01:31,200 Speaker 1: gifted at this, I don't think anyone is really practicing this yet. But good news is 18 00:01:32,040 --> 00:01:38,040 Speaker 1: literally anyone can do it. Um, so if you want to talk to people 19 00:01:38,100 --> 00:01:44,040 Speaker 1: that are dead, uh, or don't have a body, or your 20 00:01:44,080 --> 00:01:49,540 Speaker 1: higher self, or your deity, or whatever, [chuckles] talk to anyone. Generally 21 00:01:49,620 --> 00:01:54,480 Speaker 1: speaking, they're all way better at talking with any form of telepathic 22 00:01:54,540 --> 00:01:58,320 Speaker 1: communication than you are. So you should go into every interaction, not necessarily 23 00:01:58,340 --> 00:02:04,120 Speaker 1: expecting, but understanding that they know you are a little baby, and you're a 24 00:02:04,160 --> 00:02:09,199 Speaker 1: toddler, and there is some understanding for that. This has been in my experience. 25 00:02:09,780 --> 00:02:15,660 Speaker 1: Uh, so the good part is they can do 90% of the work, but that last 10% that 26 00:02:15,720 --> 00:02:19,920 Speaker 1: you do is super, super important, and you can get better over time, like any skill. 27 00:02:20,640 --> 00:02:21,580 Speaker 1: All right, so anyone can do it. 28 00:02:23,120 --> 00:02:28,840 Speaker 1: [sighs] This is gonna be, uh, information-dense. Uh, here are the communication 29 00:02:28,880 --> 00:02:33,500 Speaker 1: mediums I know, the methods of talking. We'll just shorthand it to the other side, 30 00:02:33,860 --> 00:02:39,120 Speaker 1: okay? Call that whatever you want, whatever that means to you. Um, but if you're 31 00:02:39,140 --> 00:02:43,680 Speaker 1: gonna communicate with somebody who's not physically present, however you wanna view 32 00:02:43,740 --> 00:02:47,240 Speaker 1: that, this is everything I know about how to communicate with them. So here are the 33 00:02:47,300 --> 00:02:52,580 Speaker 1: methods. Uh, transdimensional mapping, remote viewing. This is pioneered by Bertie 34 00:02:52,640 --> 00:02:55,280 Speaker 1: Jaworski. This is great. Besides 35 00:02:56,880 --> 00:03:01,960 Speaker 1: using remote viewing to find objects or answer questions, it is also just a way of 36 00:03:02,040 --> 00:03:06,860 Speaker 1: tapping into your own, like, subconscious or communicating with yourself, your 37 00:03:07,620 --> 00:03:11,160 Speaker 1: higher self or a lower self. It doesn't really matter. You're talking to yourself. 38 00:03:11,200 --> 00:03:15,360 Speaker 1: You're talking through yourself. Another common theme is almost all of these methods 39 00:03:15,920 --> 00:03:20,960 Speaker 1: go through you. They all do to some degree. So this one is great because you get to 40 00:03:20,980 --> 00:03:25,140 Speaker 1: use a pen and paper. Go look it up. It's cool. I got a lot of information this way, 41 00:03:25,660 --> 00:03:28,820 Speaker 1: and it's fun. So it's hands-on. So go do that. This is a great one to start with. 42 00:03:29,580 --> 00:03:35,500 Speaker 1: Okay, channeling. Uh, I recommend Sev Talks, S-E-V T-O-C. It's the last name. 43 00:03:35,920 --> 00:03:40,360 Speaker 1: Videos on channeling, these are great. This is how I got started. Um, there's a 44 00:03:40,400 --> 00:03:43,640 Speaker 1: little, like, pageantry involved in this. You don't need to... 45 00:03:45,940 --> 00:03:49,220 Speaker 1: It's a good way to get started because it's very specific. Do this, do that, do 46 00:03:49,280 --> 00:03:54,920 Speaker 1: this. Um, I recommend it. Then we have just straight telepathy. We're gonna spend 47 00:03:54,960 --> 00:03:55,800 Speaker 1: the rest of this 48 00:03:57,760 --> 00:04:01,900 Speaker 1: video or audio talking about that because that's the one I have the most experience 49 00:04:01,960 --> 00:04:02,140 Speaker 1: in. 50 00:04:03,720 --> 00:04:09,360 Speaker 1: Divination, like tarot cards, or I like rolling, uh, random words. Go to 51 00:04:09,420 --> 00:04:15,380 Speaker 1: randomwordgenerator.com. Just roll some words and decide what it means to you. Super 52 00:04:15,440 --> 00:04:20,980 Speaker 1: easy. Um, I will say if you're talking to, like, spirit guides or friends or 53 00:04:21,000 --> 00:04:26,780 Speaker 1: whatever, uh, this can get annoying because you becan- become dependent on it. But 54 00:04:26,840 --> 00:04:29,920 Speaker 1: it is nice when you want a discrete answer. You know, I just want exact words. I 55 00:04:29,940 --> 00:04:32,520 Speaker 1: don't wanna have to guess at the meaning or try to figure out whether I got it 56 00:04:32,580 --> 00:04:38,540 Speaker 1: right. Give me some words. Um, so that's nice. Uh, 57 00:04:39,920 --> 00:04:45,780 Speaker 1: synchronicity, uh, w- highly effective. This is little more than 58 00:04:45,840 --> 00:04:48,980 Speaker 1: noticing coincidences in the world that mean something to you and deciding what they 59 00:04:49,020 --> 00:04:53,180 Speaker 1: mean for you. The more you notice them, the more they will happen. These are often 60 00:04:53,220 --> 00:04:57,220 Speaker 1: the most profound kinds of communication, although they are not like direct 61 00:04:57,760 --> 00:05:02,620 Speaker 1: mind-to-mind communication. Not apparently, right? Uh, this will be, "Oh, I'm having 62 00:05:02,680 --> 00:05:05,880 Speaker 1: trouble with my kid. I don't know how to help them." And then you see a billboard 63 00:05:05,940 --> 00:05:09,320 Speaker 1: about, "Oh, having trouble with your kid," [chuckles] and then followed by some 64 00:05:09,380 --> 00:05:13,100 Speaker 1: other message that is, like, deeply meaningful to you. Or you're feeling really sad, 65 00:05:13,200 --> 00:05:18,320 Speaker 1: and then you get a message suddenly, uh, from somebody out of nowhere saying, "Hey, 66 00:05:18,420 --> 00:05:22,340 Speaker 1: I thought you were feeling sad. [chuckles] Thought I'd send you this." They are 67 00:05:22,400 --> 00:05:25,800 Speaker 1: coincidences that you get to decide whether they mean something or not. It's always 68 00:05:25,860 --> 00:05:29,820 Speaker 1: up to you to decide what they mean. But the more you play along with your universe 69 00:05:29,880 --> 00:05:33,680 Speaker 1: or your God, however you wanna frame it, the more they will play with you. So I 70 00:05:33,700 --> 00:05:37,240 Speaker 1: recommend this. This one's fun and just pay attention. It's all you have to do. 71 00:05:37,560 --> 00:05:41,700 Speaker 1: Music, people are familiar with this. It feels like certain music is good for you, 72 00:05:41,820 --> 00:05:46,100 Speaker 1: or it's meant for you. The lyrics mean something. I like using playlists that have, 73 00:05:46,500 --> 00:05:51,360 Speaker 1: uh, randomizers on shuffle and just setting the intention. The order of these songs 74 00:05:51,380 --> 00:05:56,780 Speaker 1: is gonna mean something to me, and it always does. So intuition, your own intuition 75 00:05:56,880 --> 00:06:02,600 Speaker 1: is a means of communication. I have written extensively about intuition, so you can 76 00:06:02,640 --> 00:06:07,740 Speaker 1: go read that stuff. Dreams, out-of-body experiences, and liminal experiences. These 77 00:06:07,780 --> 00:06:12,500 Speaker 1: are also valid communication methods, and those will happen later on in your 78 00:06:12,560 --> 00:06:18,460 Speaker 1: progression most likely. Um, although if you have them already, I would just say pay 79 00:06:18,500 --> 00:06:21,620 Speaker 1: attention to anything that happens while you're sleeping, while you're falling 80 00:06:21,660 --> 00:06:25,500 Speaker 1: asleep, or while you're waking up. Take them seriously. Don't always take it all 81 00:06:25,560 --> 00:06:31,360 Speaker 1: literally or directly, but take it seriously. Everything means something. That is 82 00:06:31,560 --> 00:06:35,060 Speaker 1: another takeaway from this is everything means something. You get to decide what 83 00:06:35,100 --> 00:06:39,020 Speaker 1: that means. It may not mean something you like or exactly what you realized, and you 84 00:06:39,060 --> 00:06:43,040 Speaker 1: may not know what it means until later. But there are no small moments, and 85 00:06:43,120 --> 00:06:47,300 Speaker 1: everything is literally communication, so nothing is off-limits. You can be playing 86 00:06:47,340 --> 00:06:51,640 Speaker 1: a video game, [chuckles] and you can get a lesson through playing a video game. 87 00:06:52,040 --> 00:06:55,360 Speaker 1: Literally nothing is off-limits. Anything you can experience is a valid 88 00:06:55,400 --> 00:07:01,300 Speaker 1: communication protocol, so keep that in mind. [chuckles] Nothing you see, 89 00:07:02,120 --> 00:07:07,680 Speaker 1: hear, feel, interact with is off-limits. Um, so to add on to that, causality and 90 00:07:07,760 --> 00:07:11,840 Speaker 1: space-time aren't real obstacles for whoever you're talking to. That's a kind of us, 91 00:07:12,100 --> 00:07:17,980 Speaker 1: us thing while we're here. Um, it is completely viable to receive communication in 92 00:07:18,040 --> 00:07:20,980 Speaker 1: ways that don't make sense, to have an answer to a problem before you have the 93 00:07:21,020 --> 00:07:25,700 Speaker 1: problem. These happen all the time, and you just have to start noticing. Again, I've 94 00:07:25,720 --> 00:07:31,100 Speaker 1: written on that. You can read my writing if you wanna see how that works. Just keep 95 00:07:31,120 --> 00:07:36,300 Speaker 1: that in mind. Don't expect it to come in a format that you [chuckles] think makes 96 00:07:36,360 --> 00:07:42,220 Speaker 1: sense. Uh, just pay attention to the meaning, uh, what it means to you. All 97 00:07:42,240 --> 00:07:42,500 Speaker 1: right. 98 00:07:44,960 --> 00:07:47,380 Speaker 1: Now let's get into telepathy specifically. 99 00:07:49,560 --> 00:07:51,860 Speaker 1: Okay. First of all, 100 00:07:53,380 --> 00:07:58,720 Speaker 1: my experience with telepathy is almost always with just a few people. 101 00:07:59,240 --> 00:08:05,100 Speaker 1: So by this point, you'll be familiar with my story of a soul family and a loose 102 00:08:05,140 --> 00:08:09,820 Speaker 1: collection of probably friends, maybe deceased loved ones. There's a lot of common 103 00:08:09,920 --> 00:08:15,720 Speaker 1: actors, and my communication is limited to generally with those 104 00:08:15,780 --> 00:08:20,240 Speaker 1: people. Uh, so familiar, right? I've got a... [chuckles] They're generally with the 105 00:08:20,300 --> 00:08:25,540 Speaker 1: same people over and over again. Not always, uh, but I haven't done a lot of, like, 106 00:08:25,660 --> 00:08:30,700 Speaker 1: human-to-human telepathy, not on purpose. Uh, so I am generally talking to things 107 00:08:30,740 --> 00:08:36,000 Speaker 1: that are not, and, okay, people who are not generally physically present. Um, 108 00:08:37,200 --> 00:08:41,280 Speaker 1: so keep that in mind. That is my experience, so there are probably lots of other 109 00:08:41,320 --> 00:08:46,560 Speaker 1: communication protocols to talk to other humans or talk to yourself through time or 110 00:08:46,640 --> 00:08:50,740 Speaker 1: all that other stuff. But what I'm giving you is a basic blueprint for talking with 111 00:08:50,780 --> 00:08:56,700 Speaker 1: a partner who is more than likely a better communicator [chuckles] than you are. And 112 00:08:56,780 --> 00:09:02,400 Speaker 1: so all of that is based on these presumptions. All right. All right, so how does it 113 00:09:02,440 --> 00:09:07,560 Speaker 1: work? [sighs] I think it's best to describe 114 00:09:07,640 --> 00:09:13,200 Speaker 1: telepathy as a shared mind experience. It feels like 115 00:09:14,080 --> 00:09:19,260 Speaker 1: somebody else is in your mind or in your body, right? And they are communicating 116 00:09:19,320 --> 00:09:19,740 Speaker 1: with you. 117 00:09:21,260 --> 00:09:24,760 Speaker 1: It's not that simple, and there's a lot of nuance and a lot of different kinds and a 118 00:09:24,800 --> 00:09:29,500 Speaker 1: lot of different experiences, but ultimately, all of it uses your hardware. Think of 119 00:09:29,540 --> 00:09:34,860 Speaker 1: it as somebody thinking with your brain, feeling with your emotions, and that is the 120 00:09:34,900 --> 00:09:40,560 Speaker 1: means by which you're actually communicating. That also means you are experiencing 121 00:09:40,620 --> 00:09:45,920 Speaker 1: their mind and emotions and whatever they're doing. Um, so it kind of goes both 122 00:09:45,960 --> 00:09:49,920 Speaker 1: ways. Think of it as overlapping yourselves, uh, for a short period of time, and 123 00:09:49,940 --> 00:09:53,700 Speaker 1: there are different degrees and ways in which you can overlap. Think of it as a 124 00:09:53,780 --> 00:09:58,660 Speaker 1: shared experience. Uh, and the ways that you choose to or 125 00:09:59,540 --> 00:10:04,540 Speaker 1: accidentally share that experience is part of the nuance. All right, so 126 00:10:06,460 --> 00:10:11,980 Speaker 1: that is important because this all has to go through your reality. Um, and that 127 00:10:13,140 --> 00:10:17,500 Speaker 1: is incredibly important because reality is done by permission, meaning the only ways 128 00:10:17,540 --> 00:10:21,440 Speaker 1: that you can usually be interacted with are ways in which you are open but unaware 129 00:10:21,500 --> 00:10:25,180 Speaker 1: to. Cool. [chuckles] This is how you get experiences where people are like, "Uh, 130 00:10:25,219 --> 00:10:27,680 Speaker 1: what the hell is happening? Somebody's talking to me." You didn't know it was 131 00:10:27,720 --> 00:10:32,800 Speaker 1: possible, so you weren't closed to it. Or, uh, you're open to it deliberately. I 132 00:10:32,860 --> 00:10:36,340 Speaker 1: wanna have this communication. I'm trying to talk to you, right? And you're open up 133 00:10:36,400 --> 00:10:41,520 Speaker 1: to it deliberately. But regardless, it's all you. It's still all you. They have to 134 00:10:41,580 --> 00:10:45,280 Speaker 1: talk through you in some way or through your reality, through your experience in 135 00:10:45,340 --> 00:10:50,140 Speaker 1: some way. You have the ultimate control over it, whether you realize it or not. Um, 136 00:10:50,420 --> 00:10:53,520 Speaker 1: you theoretically have the ultimate control. Practically speaking, 137 00:10:56,080 --> 00:11:00,740 Speaker 1: you know, it's a work in progress. [chuckles] Um, I m- I say that because everything 138 00:11:00,780 --> 00:11:04,800 Speaker 1: is going through you. Think of it as like bubbling up through your subconscious, 139 00:11:04,880 --> 00:11:09,940 Speaker 1: through all your beliefs and fears and longings and desires, your imagination, what 140 00:11:09,980 --> 00:11:13,680 Speaker 1: you think is real, your religious beliefs, your beliefs about how reality works and 141 00:11:13,740 --> 00:11:17,460 Speaker 1: who's talking to you, whether you're scared or not, all of these things it has to 142 00:11:17,520 --> 00:11:20,800 Speaker 1: pass through, like boop, boop, boop, boop, like a pachinko machine or like filters. 143 00:11:21,220 --> 00:11:24,900 Speaker 1: Like imagine putting colored filters over white light. What color you think it's 144 00:11:24,940 --> 00:11:28,240 Speaker 1: gonna be after you've put like 17 filters over it? Like, it's gonna be really weak 145 00:11:28,280 --> 00:11:33,040 Speaker 1: and a weird kaleidoscope, completely distorted. So even if somebody wanted to send 146 00:11:33,080 --> 00:11:38,040 Speaker 1: you a perfectly clear message, "Hello, my name is Stan. [chuckles] How are you 147 00:11:38,080 --> 00:11:41,720 Speaker 1: today?" If they wanted to send you that message, it's gotta pass through a whole lot 148 00:11:41,780 --> 00:11:46,480 Speaker 1: of your beliefs and ideas and fears and what you think is possible, what they want 149 00:11:46,520 --> 00:11:51,820 Speaker 1: for you. All of those things are like mirrors, like dis- or lenses distorting the 150 00:11:51,860 --> 00:11:57,740 Speaker 1: communication, which can be really, really damn frustrating. Uh, so 151 00:11:58,100 --> 00:12:02,340 Speaker 1: just remember that what you're experiencing is yourself. Somebody may be trying to 152 00:12:02,380 --> 00:12:06,940 Speaker 1: communicate with you, but what comes out the other end of that process may look 153 00:12:06,980 --> 00:12:11,580 Speaker 1: incredibly different than what they intended to communicate to you, and h- that's 154 00:12:11,620 --> 00:12:15,920 Speaker 1: nothing to say about regular misunderstandings of communication. I've heard that 155 00:12:15,960 --> 00:12:21,248 Speaker 1: telepathy is, well You know, these beings talk to each other and to us in ways that 156 00:12:21,308 --> 00:12:25,348 Speaker 1: are, there's no room for misunderstanding. Like it's, how could you? Like, 157 00:12:25,788 --> 00:12:30,788 Speaker 1: [chuckles] this is absolutely not true. There's just regular old misunderstanding is 158 00:12:30,828 --> 00:12:36,508 Speaker 1: still possible. There are means by which misunderstanding is harder using this 159 00:12:36,548 --> 00:12:39,948 Speaker 1: because you, the better under-- You're having their experience when it's working 160 00:12:40,008 --> 00:12:44,388 Speaker 1: well. So certain kinds of misunderstanding are not there. You can say something that 161 00:12:44,428 --> 00:12:48,948 Speaker 1: sounds mean, but you meant it in a gentle way. They'll feel that. They, "Oh, I know 162 00:12:48,968 --> 00:12:53,648 Speaker 1: what you meant. Like, I could feel that you meant that gently." Uh, so yes, there 163 00:12:53,708 --> 00:12:59,628 Speaker 1: are means by which some kinds of error are reduced, but it passes 164 00:12:59,668 --> 00:13:04,628 Speaker 1: through you, and it's all you. So especially at the beginning, especially if you're 165 00:13:04,648 --> 00:13:10,208 Speaker 1: in a very negative or scared state, or fearful, or angry, or, you know, just regular 166 00:13:10,248 --> 00:13:12,988 Speaker 1: people-to-people problems. Don't forget that this is a person-to-person 167 00:13:13,028 --> 00:13:16,928 Speaker 1: communication. Other people got problems too. They want things for you. They're 168 00:13:16,968 --> 00:13:21,068 Speaker 1: upset with you. They're proud of you. You have all kinds of insecurities and 169 00:13:21,108 --> 00:13:25,968 Speaker 1: distortions, and your communication has to pass through your distortions as well as 170 00:13:26,008 --> 00:13:31,628 Speaker 1: whatever they have. So it can be very frustrating. Your personal state, whether 171 00:13:31,668 --> 00:13:36,348 Speaker 1: you're open and happy and clear, all of these things are gonna affect it. So just 172 00:13:36,388 --> 00:13:40,968 Speaker 1: keep that in mind that what you're experiencing is yourself, right? So a lot of the 173 00:13:41,008 --> 00:13:46,768 Speaker 1: time, it is an impression. It is like what they're saying, but don't... Be careful 174 00:13:46,848 --> 00:13:50,668 Speaker 1: assuming that you were literally told this. This is how, like, channelers get into 175 00:13:50,728 --> 00:13:54,828 Speaker 1: trouble, is, "Well, I really wanna be prophetic, and I'm really worried about the 176 00:13:54,868 --> 00:13:58,168 Speaker 1: end of the world." Well, wow, surprise, surprise. The first half of the message was 177 00:13:58,228 --> 00:14:03,028 Speaker 1: right. The second half of the message was when the world was gonna end. You made up 178 00:14:03,088 --> 00:14:07,208 Speaker 1: the second part. You just didn't know it. It was real. It happened, but it was you. 179 00:14:07,468 --> 00:14:12,168 Speaker 1: It wasn't them. It's all you, right? You blocked it or distorted it. You twisted the 180 00:14:12,208 --> 00:14:16,228 Speaker 1: message without knowing. Just keep that in mind. It can make it very frustrating, 181 00:14:16,968 --> 00:14:21,968 Speaker 1: uh, as you learn, but that is what it looks like. Um, so here's the different kinds 182 00:14:22,108 --> 00:14:26,728 Speaker 1: of telepathy that I have experienced, and then we're gonna get into how to do it, 183 00:14:27,067 --> 00:14:32,388 Speaker 1: [chuckles] what it feels like. Uh, get practical. Uh, all right, so emotional. 184 00:14:33,228 --> 00:14:36,648 Speaker 1: Uh, so you just feel emotions that are out of context. You might be walking down the 185 00:14:36,688 --> 00:14:40,528 Speaker 1: street thinking, "Oh, that's pretty cool," and then you suddenly feel extreme, like, 186 00:14:40,688 --> 00:14:44,428 Speaker 1: sadness or longing. Like, "Whoa, where the hell did that come from?" [chuckles] 187 00:14:44,448 --> 00:14:48,608 Speaker 1: Like, "I am not feeling that." And you can notice it because it's out of context 188 00:14:48,668 --> 00:14:53,228 Speaker 1: from what you're feeling. Um, pretty weird. Now, that says nothing about the source. 189 00:14:53,828 --> 00:14:58,568 Speaker 1: There are ways of determining the source, um, but those are inexact. So you're just 190 00:14:58,628 --> 00:15:01,848 Speaker 1: feeling emotions that are like, "Ooh, these are out of context. Like, out of 191 00:15:01,908 --> 00:15:06,448 Speaker 1: context, not related to what I'm doing." It's a good way of noticing it. There is 192 00:15:06,528 --> 00:15:11,668 Speaker 1: visual field telepathy. I call this draw sight. If you close your... Look at a light 193 00:15:11,728 --> 00:15:14,128 Speaker 1: source that's kind of bright for a while and close your eyes, you'll see an 194 00:15:14,228 --> 00:15:18,048 Speaker 1: afterimage. Sometimes it's colorful. Sometimes it's swimmy. It moves around. If you 195 00:15:18,188 --> 00:15:23,708 Speaker 1: practice the ability to make shapes and draw in that visual field, you can. You can 196 00:15:23,768 --> 00:15:28,108 Speaker 1: con- Most people can consciously draw. I've gotten at least some people to do this. 197 00:15:28,888 --> 00:15:33,848 Speaker 1: Um, then this becomes a valid communication medium, and you may even start to see it 198 00:15:33,888 --> 00:15:37,228 Speaker 1: with your eyes open as well. Uh, so you can think of it as drawing as, like, 199 00:15:37,408 --> 00:15:41,308 Speaker 1: afterimages in your visual field. Usually, it's gray, black and white, but it can be 200 00:15:41,368 --> 00:15:45,768 Speaker 1: color, and usually it's kind of blurry. It requires a lot of interpretation. So this 201 00:15:45,828 --> 00:15:51,528 Speaker 1: is totally valid. Uh, I like this one because it's less, it's more 202 00:15:51,568 --> 00:15:56,068 Speaker 1: objective. Uh, so it's nice. You get symbols, shapes, stuff like that, basic 203 00:15:56,128 --> 00:16:01,988 Speaker 1: drawings, uh, if you practice it. Okay, then there's the imaginary visual field. If 204 00:16:02,008 --> 00:16:05,748 Speaker 1: you close your eyes, assuming you have the ability to do this well, which 90% of 205 00:16:05,768 --> 00:16:09,528 Speaker 1: people do, I think, or it's more than that. You don't have aphantasia, which is not 206 00:16:09,588 --> 00:16:13,628 Speaker 1: as common as most people think, so don't worry about it. If you imagine an apple 207 00:16:13,688 --> 00:16:17,888 Speaker 1: sitting on a table and y- or in your hand, that is the imaginary visual field. It's 208 00:16:17,908 --> 00:16:21,368 Speaker 1: not the literal one. The literal one is what you're looking around seeing. Um, so 209 00:16:21,428 --> 00:16:26,428 Speaker 1: draw sight acts on the actual visual field. You are seeing it. But the imaginary 210 00:16:26,468 --> 00:16:30,928 Speaker 1: visual field is just your imagination. Now, you can imagine all your other senses, 211 00:16:31,008 --> 00:16:35,327 Speaker 1: taste, smell, touch, et cetera. Uh, somatic sense, where your body is, a sense of 212 00:16:35,368 --> 00:16:41,028 Speaker 1: movement. Those all exist in an imaginary visual field. Some of the most 213 00:16:41,088 --> 00:16:45,108 Speaker 1: incredible kinds of telepathy are when you are pulled into a space that is shared, 214 00:16:45,348 --> 00:16:50,228 Speaker 1: or somebody else is drawing, like pushing directly into your imagined field. Imagine 215 00:16:50,288 --> 00:16:53,008 Speaker 1: just sitting there staring at a wall, chilling, and then suddenly you have an 216 00:16:53,048 --> 00:16:58,928 Speaker 1: extremely sharp, vivid, imaginary person, like, in your field, or just 217 00:16:59,068 --> 00:17:02,268 Speaker 1: movement. Like, you see the apple, an apple on a table, and you're like, "What the 218 00:17:02,288 --> 00:17:05,728 Speaker 1: hell is happening? I'm looking at a wall. Why am I imagining an apple on a table?" 219 00:17:05,768 --> 00:17:10,148 Speaker 1: Like, it just happened, and it's really sharp, and it's just there. Uh, this can 220 00:17:10,188 --> 00:17:15,168 Speaker 1: happen with sound, smell, taste, touch. I've smelled food cooking. [chuckles] I've 221 00:17:15,208 --> 00:17:19,088 Speaker 1: hear sounds. Voices are pretty rare, thankfully, 'cause it's kind of scary, 222 00:17:19,228 --> 00:17:24,568 Speaker 1: actually. It's, those don't happen very often. Uh, but some of the most incredible 223 00:17:24,668 --> 00:17:29,228 Speaker 1: and accurate communication comes through somebody else pushing directly into your 224 00:17:29,288 --> 00:17:33,408 Speaker 1: imagination. Think of it as a shared space. We're gonna talk about imagination later 225 00:17:33,448 --> 00:17:37,828 Speaker 1: and what I believe it is and how it works and why it's useful here or detrimental. 226 00:17:38,508 --> 00:17:42,428 Speaker 1: But think of it as, like, they're sharing imagination with you, so they can imagine 227 00:17:42,508 --> 00:17:47,188 Speaker 1: into your imagination like a Holodeck, and they can draw really well, and all you 228 00:17:47,208 --> 00:17:50,388 Speaker 1: have to do is watch it. In fact, that's one of the ways you know it's happening, is 229 00:17:50,428 --> 00:17:55,348 Speaker 1: that you're not trying to do anything, and that's a great hallmark, is that this is 230 00:17:55,408 --> 00:17:57,508 Speaker 1: just happening to me whether I'm trying to make it or not. 231 00:17:59,188 --> 00:18:01,708 Speaker 1: All right, so a couple more kinds of telepathy, and then we'll, again, we're gonna 232 00:18:01,748 --> 00:18:06,828 Speaker 1: move on to how to do it. I said this would be a long one. Yeah. That is because 233 00:18:06,848 --> 00:18:10,868 Speaker 1: there's not a lot of great resources, and to the extent that there are, they don't 234 00:18:11,048 --> 00:18:16,208 Speaker 1: document this in a firsthand way. I've been experiencing this for a year and a half, 235 00:18:16,288 --> 00:18:21,568 Speaker 1: two years now of daily practice, [chuckles] whether I like it or not. Uh, so this is 236 00:18:21,628 --> 00:18:26,976 Speaker 1: everything I've learned in a nutshell. All right, so pass-passive or collective 237 00:18:27,116 --> 00:18:31,436 Speaker 1: unconscious thoughts. Um, so humans generate a lot of noise with their brains and 238 00:18:31,476 --> 00:18:35,396 Speaker 1: emotions, and sometimes you just-- you'll know you're getting better at telepathy or 239 00:18:35,456 --> 00:18:39,656 Speaker 1: opening up or being more aware when you start getting random phrases and words and 240 00:18:39,716 --> 00:18:44,316 Speaker 1: feelings out of nowhere. It's like shreds of conversation. It just happens. You're 241 00:18:44,336 --> 00:18:48,216 Speaker 1: like, "What is this talking about?" You know? Uh, I went rock climbing one time, and 242 00:18:48,276 --> 00:18:51,636 Speaker 1: I just had a random thought of somebody saying, "Ah, I think you should go talk to 243 00:18:51,676 --> 00:18:55,496 Speaker 1: him." I'm like, [chuckles] something like that. And I'm like, I am, like, in a flow 244 00:18:55,556 --> 00:18:59,776 Speaker 1: state, not thinking about anything. I'm like, "Whoa, where did that come from?" Um, 245 00:19:00,216 --> 00:19:04,296 Speaker 1: so there'll be clips and phrases. It doesn't always mean anything. Um, everything 246 00:19:04,316 --> 00:19:08,956 Speaker 1: means something. [chuckles] You get to decide, but, uh, this one's fun. I don't get 247 00:19:08,976 --> 00:19:14,016 Speaker 1: this too often, thankfully. Um, it would be kind of obnoxious, honestly, to feel all 248 00:19:14,056 --> 00:19:17,796 Speaker 1: the time. You can think of it as this is just a radio. Sometimes the aperture gets 249 00:19:17,836 --> 00:19:22,556 Speaker 1: left open, and as you get better at it, sometimes you pick up other thoughts. 250 00:19:22,896 --> 00:19:28,116 Speaker 1: [chuckles] And it's usually verbal thoughts. Okay, so the last kind of telepathy is 251 00:19:28,136 --> 00:19:33,996 Speaker 1: the kind I do the most. Um, it's n-not as incredible as the imaginary visual field, 252 00:19:34,676 --> 00:19:40,476 Speaker 1: uh, but-- or the imaginary fields, but it is far, far more common and approachable. 253 00:19:40,996 --> 00:19:45,636 Speaker 1: Uh, so at least in my experience, this is what-- this is the standard phone call. It 254 00:19:45,676 --> 00:19:50,416 Speaker 1: is verbal thoughts with an intuitive wrapping. So Bernie Jaworski, who teaches 255 00:19:50,476 --> 00:19:55,416 Speaker 1: transdimensional mapping remote viewing, uses the term thought balls. So you can 256 00:19:55,456 --> 00:19:58,056 Speaker 1: think of this as verbal thoughts. If you just start thinking words in your head, 257 00:19:58,856 --> 00:20:02,916 Speaker 1: that's what it feels like, except somebody else is thinking the thoughts in your 258 00:20:02,956 --> 00:20:08,016 Speaker 1: head. Now, this is somewhat dangerous territory, especially for people with various, 259 00:20:08,396 --> 00:20:13,296 Speaker 1: uh, schizophrenia or other schizophrenic disorders. I'm not saying that this is a 260 00:20:13,336 --> 00:20:18,816 Speaker 1: good idea or that it's good for everybody. It is a practice that can have negative 261 00:20:18,876 --> 00:20:22,876 Speaker 1: side effects. Uh, you're talking to yourself all the time. Now, everybody talks to 262 00:20:22,896 --> 00:20:27,536 Speaker 1: themselves all the time, but just start treating your thoughts as not yours. Treat 263 00:20:27,556 --> 00:20:32,496 Speaker 1: your thoughts as something on a menu that you could take as yours or not. You could 264 00:20:32,576 --> 00:20:36,036 Speaker 1: own them or not. They don't belong to you. They're just sort of floating in reality, 265 00:20:36,156 --> 00:20:40,816 Speaker 1: which is your reality, but you don't have to own them as this is me or not me. And 266 00:20:40,876 --> 00:20:45,276 Speaker 1: if you take that position, then somebody else can think thoughts into your reality, 267 00:20:45,316 --> 00:20:49,336 Speaker 1: like a cloud gas. There's boop, boop, boop, or a word cloud. They're-- they can pop 268 00:20:49,376 --> 00:20:52,736 Speaker 1: their own thoughts in. So you have to learn how to separate yourself from your own 269 00:20:52,776 --> 00:20:55,896 Speaker 1: thoughts on a regular basis and think of this as like a shared bulletin board. 270 00:20:56,176 --> 00:20:59,976 Speaker 1: Anyone can put their thoughts in there, but they're going to feel like your thoughts 271 00:21:00,116 --> 00:21:04,196 Speaker 1: if you're not used to doing this kind of thing. You don't meditate a lot. You're not 272 00:21:04,256 --> 00:21:08,836 Speaker 1: aware of your thoughts not being yours. Just 'cause you think a thing doesn't mean 273 00:21:08,876 --> 00:21:12,416 Speaker 1: you're the one who made it happen, and that's gonna be an important concept. So the 274 00:21:12,436 --> 00:21:16,096 Speaker 1: intuitive wrapping is a lot of the time, especially when this is working well, you 275 00:21:16,116 --> 00:21:19,736 Speaker 1: don't know what they mean. You could get a word that you haven't heard before, or 276 00:21:19,776 --> 00:21:23,896 Speaker 1: you can get part of a phrase, and then you get a sort of, "Ugh," like a gesture or 277 00:21:23,936 --> 00:21:28,276 Speaker 1: an emote, like, "Hey, how are you?" And then just like a, a jumping up and down. 278 00:21:28,336 --> 00:21:32,016 Speaker 1: There's no visuals. It's just an in-intuitive sense that, oh, they're excited. 279 00:21:32,096 --> 00:21:36,476 Speaker 1: [chuckles] Um, so you have to learn to trust that there's like metadata. It's like a 280 00:21:36,516 --> 00:21:41,216 Speaker 1: little asterisk. They said hello. Just like tone of voice communicates something, 281 00:21:41,256 --> 00:21:46,276 Speaker 1: you can add extra information. You can indicate to a memory or to an idea, 282 00:21:47,116 --> 00:21:51,676 Speaker 1: "Hey, you remember that thing?" And then you sort of intuitively gesture to a 283 00:21:51,736 --> 00:21:55,556 Speaker 1: conversation you had last week, and they will know what you're talking about. But 284 00:21:56,396 --> 00:22:00,376 Speaker 1: you're making it harder when you do stuff like that, so. But just know that a lot 285 00:22:00,436 --> 00:22:04,516 Speaker 1: there is verbal thought, and this is when people say there's no room for 286 00:22:04,556 --> 00:22:09,376 Speaker 1: misinterpretation. This is what they meant. There's one kind of error, which is 287 00:22:09,476 --> 00:22:14,316 Speaker 1: misinterpreting their words, is a lot harder because you communicate what you mean 288 00:22:14,436 --> 00:22:20,156 Speaker 1: alongside it, generally speaking, when it's working well, which is cool, [chuckles] 289 00:22:20,276 --> 00:22:25,256 Speaker 1: uh, but it's also very exhausting. All right, let's keep going. 290 00:22:26,636 --> 00:22:30,536 Speaker 1: All right, how it feels when it's happening and how to recognize it. All right, here 291 00:22:30,676 --> 00:22:36,256 Speaker 1: is the process for telepathic communication, which from now on is just the verbal 292 00:22:36,296 --> 00:22:40,676 Speaker 1: thought communication with intuitive wrapping. That is the most common kind. It is 293 00:22:40,736 --> 00:22:45,356 Speaker 1: basically a phone call with the addition of being able to use some rough intuition. 294 00:22:45,396 --> 00:22:49,376 Speaker 1: You can say, "You know what I mean," basically, right? If you've ever had a, a 295 00:22:49,416 --> 00:22:52,776 Speaker 1: conversation with a friend, you know each other so well, you can almost just gesture 296 00:22:52,836 --> 00:22:57,136 Speaker 1: or indicate or, like, almost roll your eyes and communicate like a whole paragraph 297 00:22:57,176 --> 00:23:01,856 Speaker 1: of, "Well, you know this guy, how he does, and what it's like." It's like that. You 298 00:23:01,896 --> 00:23:06,836 Speaker 1: can-- Because they know what you mean. So all of the communication I'm talking about 299 00:23:06,876 --> 00:23:10,876 Speaker 1: from now on is going to be the verbal thought with intuitive wrapping. That's the 300 00:23:10,916 --> 00:23:13,596 Speaker 1: most common kind. It's your phone call or your Zoom call. 301 00:23:16,216 --> 00:23:18,656 Speaker 1: There's not usually visuals, so I guess it's just a phone call. 302 00:23:20,456 --> 00:23:24,416 Speaker 1: Okay, so if you are initiating it, this is what it's like. 303 00:23:26,116 --> 00:23:30,196 Speaker 1: All right, so you gotta call their number. You gotta know their number. How do you 304 00:23:30,256 --> 00:23:35,516 Speaker 1: call their number, right? Let's say I wanted to talk to a deceased loved one. Say I 305 00:23:35,536 --> 00:23:39,456 Speaker 1: wanted to talk to my grandmother, okay? You don't have to do this. You can talk to 306 00:23:39,496 --> 00:23:44,196 Speaker 1: your spirit guides. You can talk to whoever. Uh, you don't get a lot of names. It's 307 00:23:44,216 --> 00:23:48,716 Speaker 1: not big on names. [chuckles] You can ask for a name, but it's usually made up, and 308 00:23:48,756 --> 00:23:53,256 Speaker 1: it sounds dumb. Like, "Mm, I don't think that's your name." Uh, but sometimes you 309 00:23:53,316 --> 00:23:58,356 Speaker 1: do, and I think this is because they operate on almost like a fingerprint. I call it 310 00:23:58,416 --> 00:24:03,176 Speaker 1: a soul tone. It's just a feeling. If you think about somebody a lot and think about 311 00:24:03,236 --> 00:24:08,256 Speaker 1: an overarching feeling of what it's like when you think about them, you are creating 312 00:24:08,296 --> 00:24:11,636 Speaker 1: a sort of shorthand that I call a soul tone, and this is basically your phone 313 00:24:11,676 --> 00:24:17,376 Speaker 1: number. Um, so you can also just think about them a lot and then intend to talk to 314 00:24:17,416 --> 00:24:22,856 Speaker 1: them. It's all just intention. You basically think at them. [chuckles] You, you 315 00:24:22,876 --> 00:24:26,756 Speaker 1: bring that feeling to mind, and as if it were opening a little door, like boop, 316 00:24:26,796 --> 00:24:30,748 Speaker 1: boop, boop, boop, dialing your number based on the feeling. And you open a 317 00:24:30,788 --> 00:24:34,708 Speaker 1: connection just by saying an intention, "Hey, I wanna talk." And that is a good 318 00:24:34,788 --> 00:24:38,748 Speaker 1: opener. We're gonna talk about norms and etiquette after this, but that's a good 319 00:24:38,808 --> 00:24:43,288 Speaker 1: opener. "Hey, can we speak? May we speak?" It's always good to ask. Ask permission 320 00:24:43,328 --> 00:24:48,588 Speaker 1: because you are asking to share their mind, their conscious experience. 321 00:24:49,208 --> 00:24:52,448 Speaker 1: So, you know, they might be in the middle of something. I don't know how time works. 322 00:24:52,568 --> 00:24:58,528 Speaker 1: Like, just be considerate. "Hey, can we talk?" is a great opener. And if you 323 00:24:58,568 --> 00:25:03,428 Speaker 1: don't get an answer, you know, there you go. So that will open a connection. Okay, 324 00:25:03,848 --> 00:25:09,748 Speaker 1: now you're talking. You'll know. You'll get a response. Just sit and wait. Uh, and 325 00:25:09,768 --> 00:25:11,648 Speaker 1: we'll talk about how to practice and all that. 326 00:25:13,328 --> 00:25:17,328 Speaker 1: The means by which you do that is basically just to relax. Uh, there's some pretty 327 00:25:17,388 --> 00:25:22,128 Speaker 1: good, like, ideas in the, what is it? The Light and Love channeling books. You can 328 00:25:22,168 --> 00:25:27,748 Speaker 1: go look those up, and the Law of One, that sort of stuff. The Seth books are pretty 329 00:25:27,788 --> 00:25:32,848 Speaker 1: good. They give you a lot of the metaphysical principles, but it's, it's dense. All 330 00:25:32,908 --> 00:25:38,588 Speaker 1: you really have to do is relax, open your mind, and allow thoughts to happen. You 331 00:25:38,628 --> 00:25:43,248 Speaker 1: don't make it happen. You gotta be super open. You just kinda like be in a daydreamy 332 00:25:43,308 --> 00:25:47,368 Speaker 1: state, just sort of like staring off into the distance and open, and hold that 333 00:25:47,428 --> 00:25:52,088 Speaker 1: intention that I am, like, trying to speak with you. Hold the feeling of that, like, 334 00:25:52,168 --> 00:25:57,848 Speaker 1: tone of what it's like, and a thought will drift into your mind. "Yes. 335 00:25:58,468 --> 00:26:04,368 Speaker 1: Hello." Something like that. All right, now you're talking. [laughs] That's the, the 336 00:26:04,408 --> 00:26:08,668 Speaker 1: basic, uh, approach. How do you hang up? Take a wild guess. 337 00:26:11,348 --> 00:26:14,608 Speaker 1: It's just an intention. Like, it just... You just stop feeling the soul tone. You 338 00:26:14,668 --> 00:26:18,148 Speaker 1: say bye, or they'll hang up, right? It's-- You have the ultimate control. You can 339 00:26:18,188 --> 00:26:23,088 Speaker 1: stop talking anytime you want. You just stop intending to talk to them. It's like 340 00:26:23,148 --> 00:26:26,628 Speaker 1: turning away from somebody. You change your attention. You're no longer paying 341 00:26:26,668 --> 00:26:32,628 Speaker 1: attention. Um, and you receive calls in the same way. You often feel, 342 00:26:33,128 --> 00:26:36,828 Speaker 1: ooh, somebody wants to talk to me, like intuitively, like almost like somebody is, 343 00:26:36,868 --> 00:26:39,568 Speaker 1: like, waiting at your desk. Imagine you're working at something, and they come up to 344 00:26:39,608 --> 00:26:42,748 Speaker 1: your desk, and they're like, they're not talking, but you just feel a presence, not 345 00:26:42,788 --> 00:26:47,168 Speaker 1: necessarily in the room, but, like, in your mind, in yourself. Like something 346 00:26:47,228 --> 00:26:51,508 Speaker 1: familiar, maybe unfamiliar. You might not recognize the soul tone. It's kinda like 347 00:26:51,548 --> 00:26:56,628 Speaker 1: caller ID. Somebody wants to talk to me. However, sometimes they just start talking. 348 00:26:57,108 --> 00:27:01,128 Speaker 1: [laughs] This is pretty common. They know a whole lot more about you than you would 349 00:27:01,168 --> 00:27:05,208 Speaker 1: expect, and time and space and all that is not really a thing. They can look up a 350 00:27:05,248 --> 00:27:09,848 Speaker 1: lot of your life. So sometimes they just start talking. They don't even introduce 351 00:27:09,888 --> 00:27:13,228 Speaker 1: themselves. Uh, that's actually pretty common, especially for the first time you 352 00:27:13,288 --> 00:27:18,628 Speaker 1: meet somebody. "Meet," I quote somebody. They just start talking. [laughs] And so 353 00:27:18,668 --> 00:27:24,608 Speaker 1: feel free to say, "Yo, who are you? What's going on?" Um, and the last part here is 354 00:27:24,668 --> 00:27:28,868 Speaker 1: unwanted communication. Just remember that you have the ultimate control over it, 355 00:27:28,968 --> 00:27:32,948 Speaker 1: and you can just shove this away. Just shut it down. You just close off to that 356 00:27:32,988 --> 00:27:37,668 Speaker 1: communication, and they're gone. You can push them away. Uh, so it's always by 357 00:27:37,728 --> 00:27:41,868 Speaker 1: permission. Just remember that, especially if you are getting negative contact, it 358 00:27:41,908 --> 00:27:46,228 Speaker 1: works the same way. That's not very common, but if you just start calling the phone 359 00:27:46,288 --> 00:27:49,068 Speaker 1: book and say, "Hey, anyone out there?" Like, [laughs] you never know what you're 360 00:27:49,088 --> 00:27:52,688 Speaker 1: gonna get, especially if you're fearful or you have a lot of beliefs that would lead 361 00:27:52,728 --> 00:27:53,128 Speaker 1: you to that. 362 00:27:54,788 --> 00:27:56,008 Speaker 1: All right. Next is 363 00:27:58,268 --> 00:27:59,308 Speaker 1: norms and etiquette. 364 00:28:03,548 --> 00:28:03,768 Speaker 1: Mm-hmm. 365 00:28:05,508 --> 00:28:06,108 Speaker 1: I needed water. 366 00:28:08,228 --> 00:28:14,068 Speaker 1: You are talking to a person. This is a person. They matter. This is not 367 00:28:14,108 --> 00:28:19,948 Speaker 1: pretend. You have to treat this as if it is happening, even when it ends up 368 00:28:19,988 --> 00:28:25,288 Speaker 1: just being your own imagination. As you are practicing, so much of your 369 00:28:25,328 --> 00:28:29,088 Speaker 1: communication is just gonna be you talking to yourself, and that is so frustrating. 370 00:28:29,988 --> 00:28:34,148 Speaker 1: Um, but it... The-- Generally, the best way to learn is to just assume that you are 371 00:28:34,188 --> 00:28:40,128 Speaker 1: talking to another person. That means don't be an asshole. [laughs] 372 00:28:40,208 --> 00:28:45,048 Speaker 1: Don't spam send mail to everyone in the universe. Uh, don't [laughs] blast everyone 373 00:28:45,548 --> 00:28:49,928 Speaker 1: with an idea or a stupid joke. It's n- I mean, not unless you expect to, to get it 374 00:28:49,988 --> 00:28:55,368 Speaker 1: back, you know. There's a golden rule here. Um, you will be treated the way you 375 00:28:55,408 --> 00:29:01,368 Speaker 1: treat others. Uh, so don't be obnoxious. You've got a phone now. Don't just, 376 00:29:01,408 --> 00:29:07,308 Speaker 1: like, [laughs] spam phone call everybody, and don't be rude about it. Assume 377 00:29:07,388 --> 00:29:12,088 Speaker 1: that everything is said and with good intention, and trust your feelings. If you 378 00:29:12,168 --> 00:29:16,148 Speaker 1: feel negative intention, hang up. You don't have to talk to anybody. They don't have 379 00:29:16,168 --> 00:29:19,928 Speaker 1: control over you unless you give it to them. And you don't have to. You are 380 00:29:19,968 --> 00:29:25,508 Speaker 1: sovereign. You just ignore them. Tell them to buzz off. Don't assume that they know 381 00:29:25,568 --> 00:29:30,508 Speaker 1: more than you. Um, there are norms here as well, so just be kind. I think, uh, 382 00:29:31,488 --> 00:29:36,188 Speaker 1: treat people the way you wanna be treated. Be open-minded. Assume that they are very 383 00:29:36,248 --> 00:29:41,128 Speaker 1: different from you. Uh, and don't assume that there is room for misunderstanding in 384 00:29:41,148 --> 00:29:46,828 Speaker 1: the sense that it's quite possible they have never lived a human life. They, they 385 00:29:46,868 --> 00:29:50,788 Speaker 1: may know a lot about you, but not understand you at the same time. Like, you can-- 386 00:29:51,828 --> 00:29:54,928 Speaker 1: You could read, uh, the entire transcript of somebody's life but still not know what 387 00:29:54,948 --> 00:29:58,348 Speaker 1: it's like to be them. They may not understand why you feel the way you feel. They 388 00:29:58,368 --> 00:30:02,528 Speaker 1: may hold different values than you. Think about it, right? It may not be that big of 389 00:30:02,568 --> 00:30:07,028 Speaker 1: a deal for their body to die if they had one because they know they're not going to 390 00:30:07,068 --> 00:30:10,968 Speaker 1: die. But for you, the concept of death is horrifying, so they may talk very casually 391 00:30:11,028 --> 00:30:15,028 Speaker 1: about death, and you'd be like, "Ugh, I don't wanna talk about this." But that's 392 00:30:15,068 --> 00:30:19,308 Speaker 1: because you don't have the same, like, culture or understanding. So, uh, keep that 393 00:30:19,348 --> 00:30:24,308 Speaker 1: in mind. And generally speaking, if somebody feels nice, trust your own intuition 394 00:30:24,808 --> 00:30:29,468 Speaker 1: always. They probably are. Uh, but don't just... [laughs] I shouldn't have to tell 395 00:30:29,508 --> 00:30:35,444 Speaker 1: you this. Uh, don't be rude, but also Don't be afraid to stand up for yourself, and 396 00:30:36,424 --> 00:30:39,504 Speaker 1: you don't have to do what other people tell you just 'cause they're smarter or, you 397 00:30:39,524 --> 00:30:44,884 Speaker 1: know, know more than you. Uh, be yourself. Don't forget that. You are responsible 398 00:30:44,924 --> 00:30:49,644 Speaker 1: for yourself. You go dial in the phone book of the universe, you should expect 399 00:30:49,724 --> 00:30:54,064 Speaker 1: everyone to want something for you. They always will. But we'll talk more about that 400 00:30:54,184 --> 00:30:58,604 Speaker 1: in what I know about transcendence. All right, so that's the norms and etiquette of 401 00:30:58,644 --> 00:31:02,844 Speaker 1: contact. Just assume you're talking to a real person, even when it feels dumb, even 402 00:31:02,864 --> 00:31:06,144 Speaker 1: when it feels imaginary, because imagine how terrible you will feel when you find 403 00:31:06,184 --> 00:31:11,704 Speaker 1: out later that was definitely a real person, [chuckles] and I was such a dick. 404 00:31:12,304 --> 00:31:14,984 Speaker 1: Uh, so don't do that. Be nice and make friends. 405 00:31:17,364 --> 00:31:17,744 Speaker 1: Okay. 406 00:31:19,504 --> 00:31:22,584 Speaker 1: Uh, and you can also open and close communication generally. You can say, "I don't 407 00:31:22,604 --> 00:31:26,884 Speaker 1: wanna talk right now," [chuckles] in the same way that they can. So keep that in 408 00:31:26,924 --> 00:31:30,844 Speaker 1: mind. You can do whatever you want. You don't have to listen to nobody. But you also 409 00:31:30,884 --> 00:31:32,684 Speaker 1: reap the consequences of your behavior. 410 00:31:34,204 --> 00:31:39,284 Speaker 1: All right. On to the next part. Here's what I know about imagination, what I believe 411 00:31:39,384 --> 00:31:44,424 Speaker 1: about imagination, how it relates. And then we're gonna talk about sort of 412 00:31:44,464 --> 00:31:48,384 Speaker 1: nitty-gritty details of telepathy. Again, stuff that I haven't heard that is based 413 00:31:48,444 --> 00:31:53,184 Speaker 1: on my personal practice, how to practice it, you know, all that sort of stuff. Uh, 414 00:31:53,264 --> 00:31:58,044 Speaker 1: so a little segue here. What is imagination? I have learned that it is far, far more 415 00:31:58,084 --> 00:32:02,464 Speaker 1: important than I thought, and that m- way it has been described to me is that 416 00:32:02,644 --> 00:32:08,504 Speaker 1: nothing is fake, right? It's not that imagination isn't imaginary. It's that, 417 00:32:08,584 --> 00:32:13,584 Speaker 1: um, we have devalued imagination, right? Uh, so often I've... I get frustrated, you 418 00:32:13,644 --> 00:32:18,564 Speaker 1: know. I get some communication, I know it's wrong. It's mutually conflicting. 419 00:32:19,564 --> 00:32:23,004 Speaker 1: Uh, make sure you go to, you go to work tomorrow, and then immediately following, 420 00:32:23,104 --> 00:32:26,344 Speaker 1: "Don't go to work tomorrow." [chuckles] Like, what the hell? Like, what am I 421 00:32:26,364 --> 00:32:31,204 Speaker 1: supposed to make of this? That is the norm, uh, while you are learning, and there's 422 00:32:31,244 --> 00:32:35,884 Speaker 1: a lot of reasons that happens, and what was given to me is just roll with it. 423 00:32:37,004 --> 00:32:41,303 Speaker 1: Just accept what you're receiving as if it were written in permanent marker. Trust 424 00:32:41,344 --> 00:32:46,504 Speaker 1: your partner to correct the record. Uh, it's okay to step away. Don't take it too 425 00:32:46,544 --> 00:32:51,804 Speaker 1: directly. Don't hold it all kind of lightly because stuff is getting distorted so 426 00:32:51,884 --> 00:32:52,164 Speaker 1: much. 427 00:32:54,104 --> 00:32:58,684 Speaker 1: And imagination is important because your-- a lot of this is happening in your 428 00:32:58,784 --> 00:33:03,244 Speaker 1: imagination, and because of that, it feels fake. We have this belief that 429 00:33:03,324 --> 00:33:09,164 Speaker 1: imagination is fake. It's totally made up, and that is kind of true. Uh, 430 00:33:09,464 --> 00:33:09,744 Speaker 1: but 431 00:33:15,584 --> 00:33:20,404 Speaker 1: I think you should instead look at imagination and the physical world and all the 432 00:33:20,464 --> 00:33:24,884 Speaker 1: stuff in between it as like a spectrum of like, with different properties. 433 00:33:25,484 --> 00:33:29,464 Speaker 1: Imagination isn't less real. It's just real in a different way. It has different 434 00:33:29,544 --> 00:33:35,464 Speaker 1: qualities to it than mater-- the material world. Um, they relate to each other. 435 00:33:35,684 --> 00:33:39,964 Speaker 1: You can think of your imagination as a working space. It is like a safe space, like 436 00:33:40,024 --> 00:33:45,764 Speaker 1: a little simulation where you can just do stuff, um, without worrying too much about 437 00:33:45,804 --> 00:33:49,284 Speaker 1: whether it's going to happen to you right away, right? You're not manifesting it 438 00:33:49,324 --> 00:33:54,384 Speaker 1: immediately. But it is one tool by which you bring ideas or people or experiences 439 00:33:54,464 --> 00:33:59,524 Speaker 1: into your material world, right? 'Cause that's where we are right now. Uh, so it is 440 00:33:59,584 --> 00:34:02,664 Speaker 1: useful for that. You can think of it as a, a playground or like a working space. 441 00:34:02,724 --> 00:34:06,684 Speaker 1: It's a temporary zone. It's a maybe zone. So you've got imagination at one end of 442 00:34:06,704 --> 00:34:10,064 Speaker 1: the spectrum. It's the maybe zone. Could happen, could be real, could be not real. 443 00:34:10,384 --> 00:34:12,624 Speaker 1: You might want it, you might not want it. It's a, 444 00:34:14,584 --> 00:34:20,464 Speaker 1: it's a highly malleable reality, and it is real. That is the understanding that 445 00:34:20,484 --> 00:34:25,064 Speaker 1: has been given to me, and I, I definitely believe it. You can think of it as this is 446 00:34:25,124 --> 00:34:29,244 Speaker 1: literally happening somewhere, but it's not real in the same way the material world 447 00:34:29,304 --> 00:34:34,484 Speaker 1: is. So I think it exists personally. This is my personal belief, not given to me, is 448 00:34:34,504 --> 00:34:39,144 Speaker 1: that it exists so that we can use it. It's useful that it has different properties. 449 00:34:39,704 --> 00:34:44,764 Speaker 1: Imagine in an idealistic universe where everything you think or imagine immediately 450 00:34:44,804 --> 00:34:48,344 Speaker 1: becomes true. You think about eating 40 pancakes, that might be fun, and suddenly 451 00:34:48,384 --> 00:34:51,943 Speaker 1: you've already eaten them, and you're stuffed, and you feel terrible. How awful 452 00:34:51,964 --> 00:34:56,004 Speaker 1: would it be to just everything you're thinking happen ima- immediately? That would 453 00:34:56,044 --> 00:34:59,904 Speaker 1: be horrific. It'd be really nice if you had this little working area where you could 454 00:34:59,944 --> 00:35:03,884 Speaker 1: try stuff out and like, "Yeah, actually, you know what? I think that would suck. Uh, 455 00:35:03,964 --> 00:35:08,784 Speaker 1: I don't wanna do that." So you clean the slate, goodbye. Right? So imagination can 456 00:35:08,844 --> 00:35:12,564 Speaker 1: eventually make it into the real world or the physical world, [chuckles] the 457 00:35:12,604 --> 00:35:18,324 Speaker 1: material world. It is real. It's just maybe. It's very loose. 458 00:35:18,824 --> 00:35:23,084 Speaker 1: Um, and that's good. It allows you to read a story or write a story without 459 00:35:23,144 --> 00:35:27,744 Speaker 1: torturing conscious entities, right? You can read or watch a horror movie without 460 00:35:27,864 --> 00:35:30,984 Speaker 1: accidentally creating the reality, right? You want this maybe zone for a lot of 461 00:35:31,024 --> 00:35:36,224 Speaker 1: reasons. It turns out it's also pretty useful for communication. All that to say is 462 00:35:36,284 --> 00:35:40,084 Speaker 1: that when people are writing into your imagination, think of them as like writing on 463 00:35:40,124 --> 00:35:41,264 Speaker 1: the same journal as you, 464 00:35:43,544 --> 00:35:47,964 Speaker 1: you are also imagining. [chuckles] So, and it is, you have more control than anyone 465 00:35:48,024 --> 00:35:53,104 Speaker 1: else, even if you're trying to let them in. So if you have, I don't know, 466 00:35:54,464 --> 00:35:56,864 Speaker 1: say you're trying to talk to your deceased grandmother, but you have a lot of 467 00:35:56,904 --> 00:36:00,484 Speaker 1: hang-ups with your deceased grandmother about you want them to be proud of you. So 468 00:36:00,524 --> 00:36:04,624 Speaker 1: you're a little insecure about your career, and you're asking for advice from them. 469 00:36:05,244 --> 00:36:11,164 Speaker 1: Your fears are going to extremely drive what you're imagining. They say, "Hey," this 470 00:36:11,224 --> 00:36:15,604 Speaker 1: is the, the actual assumed perfect communication. "I wanna give you some advice 471 00:36:15,664 --> 00:36:20,344 Speaker 1: about your job." You're going to seize up. If you pay attention, you will notice 472 00:36:20,384 --> 00:36:25,604 Speaker 1: this closing off, but it's hard. You're going to imagine that they say, "You're 473 00:36:25,644 --> 00:36:29,864 Speaker 1: doing a bad job. I wish you could do better." Imagine how that feels. Now, it feels 474 00:36:29,904 --> 00:36:33,284 Speaker 1: exactly like the line before it. [chuckles] You may not even notice the difference 475 00:36:33,304 --> 00:36:38,960 Speaker 1: without practice. Um, and this is why How imagination, knowing how it works, it is 476 00:36:39,040 --> 00:36:43,420 Speaker 1: real. So don't treat it that it's fake. Just because I am imagining this means it's 477 00:36:43,460 --> 00:36:49,280 Speaker 1: not happening. It's all happening. It's just that it's all you, and 478 00:36:49,340 --> 00:36:54,000 Speaker 1: imagination is really, really you. Like [chuckles] you have an enormous amount of 479 00:36:54,040 --> 00:36:58,600 Speaker 1: conscious and unconscious control over it, and anyone else playing in that space, 480 00:36:58,660 --> 00:37:03,700 Speaker 1: unless you're very open and clear and you have no fears or insecurities, they are 481 00:37:03,740 --> 00:37:08,560 Speaker 1: competing with your own mind, which is trying to give you the answers you want or 482 00:37:08,620 --> 00:37:12,960 Speaker 1: trying-- or giving you the answers you're afraid of. Imagine how messy that can be. 483 00:37:13,440 --> 00:37:18,300 Speaker 1: So just because it's imaginary doesn't mean it's happening, it, not happening. It is 484 00:37:18,380 --> 00:37:24,200 Speaker 1: all happening. It is definitely real, but so much of it is you. So keep that 485 00:37:24,260 --> 00:37:28,940 Speaker 1: in mind. [chuckles] It's very powerful, but don't treat imagination as like 486 00:37:29,020 --> 00:37:32,880 Speaker 1: imaginary in the sense that it's not happening. The most surprising thing of all is 487 00:37:32,920 --> 00:37:36,660 Speaker 1: that it is almost like a real, like, physical thing. It just has different 488 00:37:36,700 --> 00:37:41,860 Speaker 1: properties. It's not real in the same way, and thank goodness. It, it's good for 489 00:37:41,900 --> 00:37:46,560 Speaker 1: that, which makes it great for communication. However, it also makes it bad for 490 00:37:46,600 --> 00:37:50,480 Speaker 1: communication if you don't recognize how much you are distorting and polluting your 491 00:37:50,560 --> 00:37:55,580 Speaker 1: own imaginary fields. So just keep that in mind. All right. So here's the last part 492 00:37:56,200 --> 00:38:01,220 Speaker 1: about telepathy, and then we're gonna wrap this video and audio. All right. So this 493 00:38:01,280 --> 00:38:07,180 Speaker 1: is like nuts and bolts, like just, just tips. How do you know whether your thoughts 494 00:38:07,300 --> 00:38:11,080 Speaker 1: are more yours or not? There's like a spectrum of me. You can have a conscious, 495 00:38:11,200 --> 00:38:14,260 Speaker 1: active thought. You can have a passive thought that drifts by. You can have an, a 496 00:38:14,300 --> 00:38:19,020 Speaker 1: negative critiquing voice. We have so many parts in our mind and our brain. They're 497 00:38:19,100 --> 00:38:22,440 Speaker 1: all talking all the time, all trying to do things. How do you know which of those 498 00:38:22,500 --> 00:38:26,540 Speaker 1: float, thoughts floating by are, in this case, your deceased grandmother or your 499 00:38:26,640 --> 00:38:29,720 Speaker 1: spirit guide or whatever? How do you know? 500 00:38:35,580 --> 00:38:41,520 Speaker 1: You need to practice discernment. The one way to do that is through meditation. 501 00:38:42,240 --> 00:38:47,960 Speaker 1: And you can just sit down in a room, sit quietly, open your mind, and 502 00:38:48,040 --> 00:38:52,040 Speaker 1: just watch your own thoughts and notice where they come from. And there are lots of 503 00:38:52,080 --> 00:38:55,880 Speaker 1: different kinds of thoughts, and they come from different sources, and they have 504 00:38:55,920 --> 00:39:00,140 Speaker 1: different feelings, different urgency, and you begin to notice all the different 505 00:39:00,200 --> 00:39:04,800 Speaker 1: sources. Oh, this one came from an insecurity. Oh, this one was just 'cause my mind 506 00:39:04,860 --> 00:39:07,700 Speaker 1: was wandering. I was excited about something. And this is one I made on purpose. 507 00:39:08,080 --> 00:39:10,460 Speaker 1: [chuckles] There's so many different kinds of thoughts. So practice that. 508 00:39:12,440 --> 00:39:16,360 Speaker 1: How do you know whether a thought is yours or not yours? Oh my gosh, this... If I 509 00:39:16,400 --> 00:39:20,980 Speaker 1: had known answers to this one earlier on, it would have saved me so much pain. How 510 00:39:21,000 --> 00:39:22,760 Speaker 1: do I know whether I was the one who thought 511 00:39:24,340 --> 00:39:28,160 Speaker 1: you're doing a bad job at your, at, in your career, or whether it was you who 512 00:39:28,200 --> 00:39:33,900 Speaker 1: thought that? [sighs] There's a few ways, um, but basically, you're gonna 513 00:39:33,940 --> 00:39:39,900 Speaker 1: borrow from [chuckles] use a nerdy terminology. You're gonna use error correction, 514 00:39:40,340 --> 00:39:45,200 Speaker 1: uh, from computing, and that means think of it as the same way as running an 515 00:39:45,240 --> 00:39:50,500 Speaker 1: experiment. If you wanna run an experiment, does A cause B or does it, was it an 516 00:39:50,580 --> 00:39:54,820 Speaker 1: error and we got it wrong? Well, you just run the experiment again. Just ask again. 517 00:39:55,120 --> 00:39:58,860 Speaker 1: Is that what you meant? Do you get the same answer? If you're still getting 518 00:39:58,920 --> 00:40:04,260 Speaker 1: distortions, then try another communication medium. Do the divination thing. Do 519 00:40:04,300 --> 00:40:08,820 Speaker 1: transdimensional mapping. Take a break, come back, ask again. So you basically just 520 00:40:09,340 --> 00:40:13,920 Speaker 1: trial and error. Add more attempts, right? It's not, it's kinda messy. That is a 521 00:40:13,980 --> 00:40:17,680 Speaker 1: great way to do discernment. It requires patience. It's very frustrating. [chuckles] 522 00:40:17,720 --> 00:40:22,360 Speaker 1: Was it me who had that thought? Is this really happening? Am, or am I the one who's 523 00:40:22,440 --> 00:40:26,040 Speaker 1: creating this in my own imagination? It's all happening. It all means something. 524 00:40:26,220 --> 00:40:28,920 Speaker 1: You're either learning something about yourself or somebody else is talking to you, 525 00:40:29,560 --> 00:40:34,600 Speaker 1: and they mix together. It's not like it's all one or the other, and it can be very 526 00:40:34,640 --> 00:40:38,640 Speaker 1: deceiving, and your own mind will very happily fill in the blanks or very happily 527 00:40:39,240 --> 00:40:42,520 Speaker 1: shut down the communication if it's not something it wants to hear. Imagine 528 00:40:42,600 --> 00:40:46,860 Speaker 1: receiving bad news that you're actually getting through communication. Your mind 529 00:40:46,880 --> 00:40:52,060 Speaker 1: doesn't want it. Concepts you're not open to are really hard. So how do you know 530 00:40:52,100 --> 00:40:57,500 Speaker 1: whether something is true? Okay. Truth is relative. Uh, 531 00:40:58,200 --> 00:41:02,240 Speaker 1: I like the word verisimilitude. That is the degree to which is something, something 532 00:41:02,300 --> 00:41:07,080 Speaker 1: is true. You're gonna have to let go of binary truth, true or false. Think of it as 533 00:41:07,140 --> 00:41:13,120 Speaker 1: like more true and less true. So you may get an immediate sense of like anger 534 00:41:13,180 --> 00:41:18,180 Speaker 1: or betrayal. Maybe you said you would do a thing, uh, same grandma. 535 00:41:18,200 --> 00:41:24,120 Speaker 1: [chuckles] This is, you know, hold the example. Not that, you know, I'm throwing my 536 00:41:24,160 --> 00:41:28,420 Speaker 1: grandmas under the bus. They're, they're great. But your hypothetical grandmother, 537 00:41:29,200 --> 00:41:33,240 Speaker 1: you told her out like, "Hey, listen, Grandma, yeah, [chuckles] I'm gonna, I'm gonna 538 00:41:33,280 --> 00:41:36,460 Speaker 1: do that presentation for work tomorrow, I promise." And then you blow it off if you 539 00:41:36,500 --> 00:41:40,160 Speaker 1: don't feel like doing it, and then you, you get a message later, you know, we're 540 00:41:40,220 --> 00:41:40,620 Speaker 1: talking. 541 00:41:42,620 --> 00:41:47,960 Speaker 1: You get an immense sense of anger or betrayal, right? Out of context emotion. 542 00:41:49,100 --> 00:41:51,920 Speaker 1: There you go. You know it's happening now. So 543 00:41:53,820 --> 00:41:58,640 Speaker 1: then you wanna follow up with verbal thoughts. You get the, the verbal thought, "You 544 00:41:58,700 --> 00:42:04,560 Speaker 1: are such a disappointment," right? Hmm. Okay. [chuckles] This is difficult to hear, 545 00:42:05,040 --> 00:42:08,960 Speaker 1: and it lines up with the emotion. So you might think right away, naturally, "Oh my 546 00:42:09,020 --> 00:42:14,960 Speaker 1: gosh. [chuckles] Oh, I feel so bad. Oh, how could you say that about me?" I'm 547 00:42:14,980 --> 00:42:20,000 Speaker 1: not saying they didn't say that. It's possible. In your mind, in your imagination, 548 00:42:20,100 --> 00:42:24,160 Speaker 1: that is what happened. You did experience that. So just treat everything as if it's 549 00:42:24,180 --> 00:42:29,580 Speaker 1: happening, okay? Without, you know, don't go crazy. Don't have a psychotic break. 550 00:42:30,340 --> 00:42:33,340 Speaker 1: Don't do any of this stuff if you can't, [chuckles] if you can't handle your shit, 551 00:42:33,960 --> 00:42:38,320 Speaker 1: basically. You need to be able to handle it yourself because you're gonna get stuff, 552 00:42:38,420 --> 00:42:42,700 Speaker 1: communication that you weren't ready for or scared you or let's just hurt your 553 00:42:42,740 --> 00:42:47,596 Speaker 1: feelings. That's the most common thing discouraging you. So how do you know? In this 554 00:42:47,656 --> 00:42:51,416 Speaker 1: example, let us say that they really did mean to send you that, "I really am angry 555 00:42:51,456 --> 00:42:55,396 Speaker 1: and feeling betrayed," but what they are also saying is, "I want you to do it 556 00:42:55,456 --> 00:43:00,336 Speaker 1: tomorrow." Right? But you totally clipped that part out, and you distorted the 557 00:43:00,376 --> 00:43:03,476 Speaker 1: message because of what you were afraid of because of your insecurities, which we 558 00:43:03,516 --> 00:43:07,396 Speaker 1: talked about before. So you got the emotion right, but you got the verbal thought 559 00:43:07,436 --> 00:43:13,396 Speaker 1: wrong, and so that's 50% true, 50% false. So you gotta learn to 560 00:43:13,456 --> 00:43:19,336 Speaker 1: take everything directionally, and you will learn whether you're right or 561 00:43:19,376 --> 00:43:23,776 Speaker 1: not, right? Uh, so use the skills of discernment to piece apart, all right, what did 562 00:43:23,796 --> 00:43:28,416 Speaker 1: you mean? Generally speaking, there is a hierarchy in which things are more likely 563 00:43:28,436 --> 00:43:32,836 Speaker 1: to be accurate and less likely to be accurate. So the least accurate, at least for 564 00:43:32,876 --> 00:43:37,336 Speaker 1: me, are straight verbal thoughts. You hear a verbal thought in your head. That is 565 00:43:37,396 --> 00:43:42,316 Speaker 1: the least accurate, at least until you get better. Those are the most manipulatable, 566 00:43:42,496 --> 00:43:47,856 Speaker 1: messy, prone to noise, right, from your own beliefs, fears, insecurities, ideas, 567 00:43:48,036 --> 00:43:49,696 Speaker 1: excitements. Those are the 568 00:43:51,536 --> 00:43:57,356 Speaker 1: easiest [chuckles] to mess up, and so they're pretty inaccurate. Just beneath that 569 00:43:57,516 --> 00:44:03,156 Speaker 1: is, um, emotions. Uh, so emotions are pretty accurate. 570 00:44:03,936 --> 00:44:08,056 Speaker 1: Uh, not always, but they're pretty accurate, and intuition is also pretty accurate. 571 00:44:08,136 --> 00:44:11,996 Speaker 1: I would say that's a layer deeper on the pyramid. Much more stable, it's not gonna 572 00:44:12,636 --> 00:44:16,736 Speaker 1: easily get knocked around. But it's not impossible, especially if you're in a state 573 00:44:16,796 --> 00:44:21,496 Speaker 1: or you're ex- anticipating, "Oh, I know I didn't do that thing, so I'm expecting her 574 00:44:21,536 --> 00:44:26,656 Speaker 1: to be angry at me the next time we talk." You're highly likely to personally 575 00:44:26,736 --> 00:44:30,296 Speaker 1: fabricate that with your own imagination or color it. This is also confusing. You 576 00:44:30,316 --> 00:44:33,996 Speaker 1: can put a little spin on it. Maybe she does say, "I'm disappointed," but maybe she 577 00:44:34,036 --> 00:44:38,016 Speaker 1: was saying like, "You know, I'm disappointed in you." But you are the one who put 578 00:44:38,036 --> 00:44:41,536 Speaker 1: the spin on it, and now it feels a little sharper or a little angrier than they 579 00:44:41,596 --> 00:44:42,376 Speaker 1: actually intended. 580 00:44:43,956 --> 00:44:47,536 Speaker 1: That happens too. Uh, so you're distorting it in ways that are sometimes subtle and 581 00:44:47,576 --> 00:44:53,036 Speaker 1: make all the difference. It's, it is so frustrating. It's very magical 582 00:44:53,556 --> 00:44:58,756 Speaker 1: that you can do this, but it is, it is not for the faint of heart because 583 00:44:59,776 --> 00:45:02,016 Speaker 1: honestly, just for personal reasons, like you just... 584 00:45:03,616 --> 00:45:08,096 Speaker 1: This is a great way to expose your own fears and insecurities and, like, shadow 585 00:45:08,156 --> 00:45:11,696 Speaker 1: self, right? You're gonna-- You have to work through it all because it's distorting 586 00:45:11,756 --> 00:45:16,056 Speaker 1: everything. You know, if you've got daddy issues or you're secretly afraid you're 587 00:45:16,076 --> 00:45:20,476 Speaker 1: not good enough, every bit of your communication is gonna be colored by that, and 588 00:45:20,496 --> 00:45:25,596 Speaker 1: you've gotta clear those distortions. You have to work through it, or all of your 589 00:45:25,636 --> 00:45:30,416 Speaker 1: communication is highly likely to be distorted. So keep that in mind. It's always 590 00:45:30,496 --> 00:45:35,756 Speaker 1: you, uh, and to the degree that it is them is how open and clear you are, and so 591 00:45:35,816 --> 00:45:36,356 Speaker 1: check your ego. 592 00:45:38,096 --> 00:45:42,296 Speaker 1: Uh, so how do you know it's not working? My favorite method, and this didn't happen 593 00:45:42,356 --> 00:45:47,896 Speaker 1: to me until much later, is I guess the heart chakra. I don't know. Listen, in your 594 00:45:47,956 --> 00:45:51,916 Speaker 1: chest, you will feel a feeling in the same way that when you see your child walk for 595 00:45:51,936 --> 00:45:57,536 Speaker 1: the first time or you... somebody's getting married, or you just got terrible news 596 00:45:57,576 --> 00:46:00,776 Speaker 1: that somebody you love is dying. You can feel it in your chest. You can think of it 597 00:46:00,816 --> 00:46:05,176 Speaker 1: as a spectrum. It's like a sort of a h- burning sensation, a heart fire or a heart 598 00:46:05,256 --> 00:46:10,996 Speaker 1: pang. Like, oh, somebody just broke up with me. You know the feeling. Um, that 599 00:46:11,076 --> 00:46:15,176 Speaker 1: is a valid communication mechanism. You think of it as a light going off. It either 600 00:46:15,236 --> 00:46:19,196 Speaker 1: goes positive or negative. It turns green or red. It's kinda like a stoplight. 601 00:46:19,716 --> 00:46:25,676 Speaker 1: Green, red are off. And so that ends up being extremely reliable, even more reliable 602 00:46:25,716 --> 00:46:30,956 Speaker 1: than emotions and intuition. Um, so you'll have to train that. It will probably just 603 00:46:30,956 --> 00:46:33,936 Speaker 1: start happening. But notice that feeling in your chest, or maybe you'll feel it in 604 00:46:34,016 --> 00:46:40,016 Speaker 1: other parts of your body. Your body is a pretty good, like, receiver. Um, so if 605 00:46:40,136 --> 00:46:45,976 Speaker 1: you hear, um, "I'm so disappointed in you," uh, and you get really... but there's 606 00:46:46,036 --> 00:46:50,016 Speaker 1: no feeling in your chest, and then you immediately get upset, you know, like, "How 607 00:46:50,056 --> 00:46:55,236 Speaker 1: could you say that?" Then you feel an immense pain in your chest of, like, pain. 608 00:46:55,496 --> 00:47:01,096 Speaker 1: Like, that is, you can infer from that what you will, but generally, you are 609 00:47:01,156 --> 00:47:05,916 Speaker 1: sharing their experience of their own heart, presumably, right? So they are feeling, 610 00:47:05,995 --> 00:47:10,296 Speaker 1: "No, that's not what I said," or, "I wouldn't say that to you. I'm so sorry," or, 611 00:47:10,336 --> 00:47:14,636 Speaker 1: "You've got it wrong." Imagine how they would feel if you were feeling that, right? 612 00:47:15,236 --> 00:47:20,636 Speaker 1: You have to decide what it means, uh, but or the reverse is also true if you're 613 00:47:20,696 --> 00:47:25,316 Speaker 1: feeling extreme warmth, uh, and joy in your chest, then that is a good sign. 614 00:47:25,416 --> 00:47:29,056 Speaker 1: However, whatever your somatic sense is. They end up being a good, um, 615 00:47:29,776 --> 00:47:32,616 Speaker 1: error-checking device. Now, they're not always there, and the connection's not 616 00:47:32,656 --> 00:47:36,296 Speaker 1: always perfect. Sometimes you can only get that kind of communication. You just get 617 00:47:36,336 --> 00:47:42,296 Speaker 1: the somatic feeling, which leads me to they can hear-- You can speak a lot 618 00:47:42,336 --> 00:47:47,216 Speaker 1: better than you can hear because they are so much more capable on average. Don't 619 00:47:47,296 --> 00:47:52,536 Speaker 1: always assume it's perfect. You can transmit information way better than you can 620 00:47:52,556 --> 00:47:58,256 Speaker 1: receive it. It is the receiving and interpreting, uh, and means by the, 621 00:47:58,676 --> 00:48:03,736 Speaker 1: how they meant it that's hard. Like, can I receive it at all? Can I notice it? Can I 622 00:48:03,776 --> 00:48:06,356 Speaker 1: clear my own distortions, and can I understand what they meant? There's a lot of 623 00:48:06,396 --> 00:48:10,376 Speaker 1: steps there. They are way better at it than you are. So all you really have to do is 624 00:48:10,416 --> 00:48:14,636 Speaker 1: think and feel and imagine, and they'll get it. So you should assume that most of 625 00:48:14,656 --> 00:48:18,676 Speaker 1: the time they're getting your messages correctly or clearly, I won't say correctly, 626 00:48:19,956 --> 00:48:24,456 Speaker 1: m- far m-- to a far greater degree than you are receiving their messages. So talking 627 00:48:24,516 --> 00:48:29,116 Speaker 1: is easier than listening. Uh, so you're gonna find that you do a lot of talking. 628 00:48:29,116 --> 00:48:34,796 Speaker 1: [chuckles] This is how it is. Um, so that's how you know it's not working, 629 00:48:35,356 --> 00:48:37,656 Speaker 1: uh, and so just keep that in mind. 630 00:48:39,236 --> 00:48:45,236 Speaker 1: Okay, what kinds of information are hard and easy? [sighs] I don't 631 00:48:45,256 --> 00:48:49,476 Speaker 1: know why, but I can tell you that answers to mathematical formulas, things that are 632 00:48:49,516 --> 00:48:54,116 Speaker 1: precise and require precision are difficult. If you wanna know the exact answer to a 633 00:48:54,176 --> 00:48:59,956 Speaker 1: math problem, good luck. It's hard. I don't know why. Uh, I don't know why. 634 00:49:00,556 --> 00:49:05,476 Speaker 1: Uh, but that doesn't mean you can't get information you can't validate. Uh, you can 635 00:49:05,536 --> 00:49:09,436 Speaker 1: get definitions to words you didn't know. You can get answers to problems that 636 00:49:09,556 --> 00:49:13,936 Speaker 1: should have been impossible. Uh, so there are ways to validate, but I would suggest 637 00:49:13,996 --> 00:49:18,696 Speaker 1: getting something that you can get partial credit on. Like, okay, they were ballpark 638 00:49:18,736 --> 00:49:24,496 Speaker 1: right. [chuckles] Uh, something that requires exactness to be useful, the exact 639 00:49:24,556 --> 00:49:29,296 Speaker 1: answer to a math problem, a password that you forgot, is going to be very 640 00:49:29,356 --> 00:49:32,916 Speaker 1: frustrating because precision is difficult for all the reasons we mentioned, and 641 00:49:32,976 --> 00:49:36,456 Speaker 1: some I don't understand. I just don't understand. That doesn't mean it's impossible. 642 00:49:36,536 --> 00:49:40,016 Speaker 1: Some people I've heard of that can do this kind of thing, but I don't know how to do 643 00:49:40,056 --> 00:49:44,676 Speaker 1: that, and it's been very frustrating for me. So if you're asking, "Okay, well, what 644 00:49:44,716 --> 00:49:46,656 Speaker 1: is this exact answer to a trivia question?" 645 00:49:48,376 --> 00:49:51,196 Speaker 1: Assuming you don't know the answer, because again, if you know the answer, it's kind 646 00:49:51,216 --> 00:49:56,756 Speaker 1: of hard to validate that. Don't expect them to get it right. Like, expect them maybe 647 00:49:56,816 --> 00:50:01,676 Speaker 1: to get it directionally right. If you are asking, you know, "What is the highest 648 00:50:01,736 --> 00:50:06,936 Speaker 1: earning, you know, athlete, professional athlete of all time?" And you hear 649 00:50:08,236 --> 00:50:13,956 Speaker 1: football. [chuckles] You're gonna be like, "That was stupid." Well, you are 650 00:50:14,136 --> 00:50:19,376 Speaker 1: not necessarily getting exact information, right? There's a lot of wiring between 651 00:50:19,436 --> 00:50:23,976 Speaker 1: you and them, and you're closed off to a lot of things. So just assume that all of 652 00:50:24,016 --> 00:50:29,196 Speaker 1: the stuff you get is like a story that is based on [chuckles] the actual story, and 653 00:50:29,276 --> 00:50:33,856 Speaker 1: to the degree that that is truthful is, well, it depends on an enormous amount of 654 00:50:33,896 --> 00:50:37,236 Speaker 1: factors. So just keep in mind that some kinds of information are easy and some are 655 00:50:37,276 --> 00:50:42,556 Speaker 1: hard. Generally, casual conversation is the easiest kind. It's a great kind of 656 00:50:42,596 --> 00:50:46,396 Speaker 1: practice. Just, "Hey, how you doing? What's going on?" And things that you are 657 00:50:46,456 --> 00:50:51,396 Speaker 1: insecure about, fearful about, things you don't wanna hear. Asking for that advice 658 00:50:51,456 --> 00:50:55,296 Speaker 1: on your career, it's gonna be really hard for you to get good information, even 659 00:50:55,316 --> 00:50:58,496 Speaker 1: though it's not precise, because you have so many distortions and you're closed off 660 00:50:58,556 --> 00:51:03,296 Speaker 1: to it. Things you don't wanna hear are gonna be super hard. You can feel yourself 661 00:51:03,336 --> 00:51:08,015 Speaker 1: shutting down. The conversation almost, eh, grinds to a halt. It's very frustrating 662 00:51:08,075 --> 00:51:13,796 Speaker 1: for everybody involved. Um, so just keep that in mind. If it's easy for you to talk 663 00:51:13,856 --> 00:51:19,216 Speaker 1: about, it's generally easy in terms of information to convey it. Uh, and if you 664 00:51:19,236 --> 00:51:22,976 Speaker 1: don't understand this topic, then it's going to be hard for them to communicate with 665 00:51:23,036 --> 00:51:27,796 Speaker 1: you because it has to come through you. Uh, so if you don't understand advanced 666 00:51:27,876 --> 00:51:32,316 Speaker 1: mathematics, it's going to be difficult for them to use your mental models and 667 00:51:32,356 --> 00:51:35,716 Speaker 1: concepts and intuition to communicate that to you, right? You're gonna be getting 668 00:51:35,796 --> 00:51:41,656 Speaker 1: weird analogies and metaphors, and the conversation's gonna be weird. Um, so if 669 00:51:41,756 --> 00:51:45,056 Speaker 1: you know something well, it's gonna be easier for them to communicate on that topic 670 00:51:45,116 --> 00:51:47,876 Speaker 1: because they're using your hardware and your reality. 671 00:51:49,976 --> 00:51:54,356 Speaker 1: Okay, almost done here. Let's bring it home. How do you do it? How do you practice 672 00:51:54,416 --> 00:51:54,596 Speaker 1: it? 673 00:51:56,516 --> 00:52:02,076 Speaker 1: The easiest way to practice is to have somebody you trust to 674 00:52:02,116 --> 00:52:06,576 Speaker 1: communicate with. I would recommend starting with your own spirit guides. I'm pretty 675 00:52:06,636 --> 00:52:12,576 Speaker 1: sure everyone has them. They more or less either can or do get 676 00:52:12,616 --> 00:52:17,576 Speaker 1: your entire experience all the time, which sounds like a hell of a job. Uh, but at 677 00:52:17,616 --> 00:52:22,656 Speaker 1: the very least, they're always available. Um, pretty sure everyone has one, and if 678 00:52:22,696 --> 00:52:27,036 Speaker 1: you don't, I think one will be assigned to you. [chuckles] But just intend to 679 00:52:27,076 --> 00:52:30,816 Speaker 1: communicate with that. You set the parameters for the communication, try to get 680 00:52:30,856 --> 00:52:36,156 Speaker 1: their soul tone, try to figure out who they are if you can, and just talk, right? 681 00:52:36,436 --> 00:52:40,676 Speaker 1: And whatever thoughts occur to you, treat them as if they're actually happening. 682 00:52:41,056 --> 00:52:46,016 Speaker 1: Even though it feels like your, your own imagination, it is. It is. It always feels 683 00:52:46,056 --> 00:52:51,056 Speaker 1: like you, except for when you get really good at it or you just get lucky and you 684 00:52:51,096 --> 00:52:55,556 Speaker 1: just have a clear day, right? Same way the skies clear up, that DirecTV satellite 685 00:52:55,616 --> 00:52:59,276 Speaker 1: signal's coming in real good today. It's not at all fuzzy. It's just sharp. 686 00:52:59,616 --> 00:53:05,296 Speaker 1: Sometimes this just happens, and you will know, "Oh, crap, this is not me. 687 00:53:05,876 --> 00:53:09,956 Speaker 1: Like, I-- these thoughts are happening, and they do not feel like mine. They are... 688 00:53:10,136 --> 00:53:14,776 Speaker 1: This is somebody else, apparently, in my head." That's not exactly how it is, but it 689 00:53:14,816 --> 00:53:20,196 Speaker 1: can feel that way, and you can just tell, "This is not me." Those are pretty rare. 690 00:53:20,595 --> 00:53:24,276 Speaker 1: They're still, like, one in fifty for me. Most of the time, it's like I feel like 691 00:53:24,336 --> 00:53:28,076 Speaker 1: I'm talking to myself, and every now and then, you get those other, like, emotional, 692 00:53:28,316 --> 00:53:33,496 Speaker 1: intuitive, or somatic, uh, senses. And that gives you a sense that, okay, we're 693 00:53:33,576 --> 00:53:39,436 Speaker 1: kinda talking right now. I'm sort of having a dialogue, a story based 694 00:53:39,536 --> 00:53:43,576 Speaker 1: on some ideas or thoughts or feelings you're having. And for the most part, they 695 00:53:43,596 --> 00:53:47,196 Speaker 1: will just let them happen, and they will correct the record if they can, if it's 696 00:53:47,256 --> 00:53:51,536 Speaker 1: serious. But they're kinda just happy to just let you play with yourself with a 697 00:53:53,356 --> 00:53:58,876 Speaker 1: puppet show version of them. And to the degree you can deal with that being the 698 00:53:58,936 --> 00:54:03,856 Speaker 1: case, the puppet will eventually become more and more representative of the actual 699 00:54:03,916 --> 00:54:08,836 Speaker 1: person you're trying to talk to. You don't always know whether how accurate it is. 700 00:54:09,116 --> 00:54:12,916 Speaker 1: But just assume that seventy to ninety percent of the information is just you 701 00:54:12,976 --> 00:54:16,836 Speaker 1: talking to yourself, even once you've learned how to establish communication with 702 00:54:16,876 --> 00:54:22,056 Speaker 1: somebody who's definitely trying. Uh, so be prepared to be 703 00:54:22,116 --> 00:54:27,196 Speaker 1: frustrated and to just roll with it and, um, [chuckles] good luck. 704 00:54:28,196 --> 00:54:32,636 Speaker 1: But you pretty much just sit, open your mind, relax in a dre- day dreamy state, and 705 00:54:32,656 --> 00:54:37,516 Speaker 1: do all the things I mentioned before. If you can almost fall asleep, like taking a 706 00:54:37,576 --> 00:54:41,536 Speaker 1: nap, that is when you get the clearest communication because the parts of your brain 707 00:54:41,576 --> 00:54:46,096 Speaker 1: that are used to policing self and doing all that, they just go [clicks tongue] 708 00:54:46,176 --> 00:54:52,056 Speaker 1: They... All the filters come down, and you will get very clear messages that way or, 709 00:54:52,116 --> 00:54:56,856 Speaker 1: or written into imaginary visuals, all sorts of stuff. That's a good time to 710 00:54:56,896 --> 00:55:01,456 Speaker 1: practice, is setting the intention before you fall asleep. "Hey, uh, give me a 711 00:55:01,496 --> 00:55:05,516 Speaker 1: message or two from somebody who loves me, uh, or a spirit guide or something like 712 00:55:05,576 --> 00:55:10,406 Speaker 1: that." Nothing malevolent. Just set some basic parameters. And then it'll start 713 00:55:10,446 --> 00:55:15,406 Speaker 1: happening. And then take them seriously. Take, treat what is happening to you as if 714 00:55:15,466 --> 00:55:19,046 Speaker 1: it is definitely happening to you and it's real communication. Because if you shut 715 00:55:19,066 --> 00:55:22,666 Speaker 1: it down, or you think it's dumb, or you close off to it, or you get too fearful or 716 00:55:22,706 --> 00:55:28,446 Speaker 1: too angry, it's like closing that door. Um, so keep that in 717 00:55:28,506 --> 00:55:33,586 Speaker 1: mind. Just stay open and aware and, but also hold it lightly. But take it seriously 718 00:55:33,626 --> 00:55:38,126 Speaker 1: as well. There's a balance to treating it as if this is real, and that's a person, 719 00:55:38,186 --> 00:55:41,946 Speaker 1: and that's definitely happening right now. Uh, that is, should be your default 720 00:55:42,026 --> 00:55:47,166 Speaker 1: state, but also don't over-index on it. You're interacting with yourself. Sometimes 721 00:55:47,226 --> 00:55:52,806 Speaker 1: even when it's vivid, you are distorting everything. It's always going through you. 722 00:55:53,146 --> 00:55:56,846 Speaker 1: So don't be surprised if you say something and you suddenly get the sense of being 723 00:55:56,926 --> 00:56:00,466 Speaker 1: slapped. You're not gonna experience pain. I've never experienced anything like 724 00:56:00,506 --> 00:56:04,506 Speaker 1: that. Nobody's taken control of me or harmed me or anything like that. You just, 725 00:56:04,966 --> 00:56:10,566 Speaker 1: don't... It's mostly non-physical, like it's emotional, intuitive thoughts, 726 00:56:10,746 --> 00:56:15,326 Speaker 1: visuals. Nobody is [chuckles] zapping you or anything like that, possessing you. 727 00:56:15,406 --> 00:56:20,086 Speaker 1: This is not a real concern. But don't be an idiot as well. [chuckles] Don't give 728 00:56:20,126 --> 00:56:25,886 Speaker 1: permission to bad ideas. Uh, you start making calls, uh, through the veil, 729 00:56:26,466 --> 00:56:32,066 Speaker 1: and you start inviting in stupid stuff. Listen, that's on you. [chuckles] Don't do 730 00:56:32,126 --> 00:56:36,546 Speaker 1: that. In the same way you wouldn't walk down a dark alley with, uh, you know, a 731 00:56:36,566 --> 00:56:41,486 Speaker 1: whole bunch of money sticking out of your pockets, uh, talking about how, uh, 732 00:56:41,766 --> 00:56:46,206 Speaker 1: beautiful and alone and ready for sexual encounters you are. It's not a good idea. 733 00:56:46,966 --> 00:56:52,366 Speaker 1: Uh, it's not gonna go well. [chuckles] Don't do stupid stuff because it's real 734 00:56:52,446 --> 00:56:56,626 Speaker 1: enough, even if you're not particularly good at it yet. Uh, you will get what you're 735 00:56:56,666 --> 00:57:01,686 Speaker 1: attracting. It's like a mirror. You're putting out negative stuff or you're afraid 736 00:57:01,726 --> 00:57:05,866 Speaker 1: of it too much, you're gonna start attracting it. Uh, not just coloring it, but 737 00:57:05,906 --> 00:57:10,266 Speaker 1: you're gonna get people you didn't expect. Um, so those are some of the pitfalls in 738 00:57:10,306 --> 00:57:14,586 Speaker 1: practice as well as what happens to you. Don't be afraid. It's fine. There's people 739 00:57:14,626 --> 00:57:19,106 Speaker 1: looking out for you. But if you're really scared or you don't like this, don't do it 740 00:57:19,486 --> 00:57:22,786 Speaker 1: or stop doing it. Just remember that you have the control over it. But if you wanna 741 00:57:22,826 --> 00:57:27,566 Speaker 1: do it and you're going to try it anyway, this is how I would recommend practicing. 742 00:57:28,086 --> 00:57:32,666 Speaker 1: Uh, and, uh, I don't know, give me a shout one day. Maybe I'll hear you. But be 743 00:57:32,706 --> 00:57:37,446 Speaker 1: nice, like I'm not gonna take your phone call if you're gonna be rude to me. Uh, 744 00:57:37,586 --> 00:57:43,046 Speaker 1: assuming I can receive it. You never know. Have fun. You'll be safe and, uh, 745 00:57:44,526 --> 00:57:44,886 Speaker 1: there you go.